Redefining Occasional Garment Silhouettes with Adinkra Traditional Symbols

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Date
2022-09
Authors
PAMELA FRIMPONG
(8201210004)
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Abstract
The purpose of the study was to explore the potential for designing garments using Akan traditional symbols (Adinkra) in the garment production process in Ghana. The selected symbols were Akoko Nan, Dwennimmen, Akoben, Hye won Hye, and Wo Nsa Da Mu A. The study employed a qualitative methodology. The total population of the study is 80 which consisted of the 20 executives of the Dressmakers Association (designers), 30 textile shop owners, and 30 female radio presenters (consumers) in the Sekondi-Takoradi Metropolitan Area of the Western Region of Ghana. Furthermore, the study employed purposive and convenience sampling to select a sample to participate in the study. The sample size of the study was 30 stakeholders selected from the three groups consisting of 10 executives of the Dressmakers Association (designers), 10 textile shop owners, and 10 female radio presenters (consumers). A semi-structured interview (pre-production) and a focus group discussion (post-production) were used to obtain data for the qualitative component of the study. The resulting qualitative data were analysed using thematic analysis. The study found that most of the participants were conversant with the Adinkra symbols and expressed their interest in the Adinkra silhouette-based garments. Following the interviews with the stakeholders, the researcher designed and produced the Adinkra silhouette-based garments in the studio. A post-production interview was finally conducted with the stakeholders to evaluate the final productions. The interview revealed stakeholders appreciated the Adinkra silhouette-based garments.
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